Makeup Designs made in Photoshop by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis. This deals with the awkward problem of an actor shaving his head just before playing the character who is told: “I do hope your hair curls naturally.”Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis. This deals with the awkward problem of an actor shaving his head just before playing the character who is told: “I do hope your hair curls naturally.”Makeup Design for the Reverend Chasuble by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000. The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.Makeup Design for the handsome young man playing Miss Prism, a plain old spinster lady, by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000. The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000“…Is This the Handbag?”“Where is that Baby?!”Gwendolyn and JackLady Bracknell and Gwendolyn
The Importance of Being Artificial: Style as Substance in Oscar Wilde’s The Importance of Being Earnest, Theatre Design & Technology, Spring 2004, by Tara Maginnis PDF of Article you can print!
Costume Design for Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostumes for Jack and Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Research for Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume Research for Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume Design for Cecily in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume Research for Gwendolyn in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostumes for Cecily and Gwendolyn in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume Design for Gwendolyn “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume for Gwendolyn in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume Design for Algy and Jack’s Hats for “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisJack’s Hat for his Mourning outfit in Act II of “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Concept for Jack in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Concept for Jack in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume Design for Jack in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume Design for Lady Bracknell in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume Diagram for Lady Bracknell in “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisLady Bracknell and Gwendolyn. Costume Designs for “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisLady Bracknell and Gwendolyn. Costume Designs for “The Importance of Being Earnest”, 2000, UAF, by Tara MaginnisCostume Design for Miss Prism in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Lady Bracknell and GwendolynGwendolyn and Jack“Where is that Baby?!”“…Is This the Handbag?”Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000
