Tag Archives: Theatrical Makeup

Makeup Designs for Theatre & Film

Dracula, 2005, Fairbanks Drama Association, Makeup Designs by Tara Maginnis

Makeup Designs for the title role in "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Designs for the title role in “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Young "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Young “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Old Dracula, and Rock Star "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Old Dracula, and Rock Star “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Renfield in "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Renfield in “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for a Bride of "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for a Bride of “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for a Bride of "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for a Bride of “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Demo of a Bride of "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Demo of a Bride of “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Mina in "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Mina in “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Lucy in "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for Lucy in “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for a Maid and Bride of "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for a Maid and Bride of “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design options to show the director for Brides of "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design options to show the director for Brides of “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for a Bride of "Dracula", 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Design for a Bride of “Dracula”, 2005, Fairbanks Drama Association, by Tara Maginnis.
Makeup Designs for Theatre & Film, Theatre UAF

The Importance of Being Earnest, 2000, UAF, Makeup Designs by Tara Maginnis

Makeup Designs made in Photoshop by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Designs made in Photoshop by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000
Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis, that deal with the awkward problem of an actor shaving his head just before playing the character who is told: "I do hope your hair curls naturally."
Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis. This deals with the awkward problem of an actor shaving his head just before playing the character who is told: “I do hope your hair curls naturally.”
Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis, that deal with the awkward problem of an actor shaving his head just before playing the character who is told: "I do hope your hair curls naturally."
Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis. This deals with the awkward problem of an actor shaving his head just before playing the character who is told: “I do hope your hair curls naturally.”
Makeup Design for the Reverend Chasuble by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000. The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.
Makeup Design for the Reverend Chasuble by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000. The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.
Makeup Design for the handsome young man playing Miss Prism, a plain old spinster lady, by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000. The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.
Makeup Design for the handsome young man playing Miss Prism, a plain old spinster lady, by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000. The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.
Makeup Design for Lady Bracknell by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000
"...Is This the Handbag?"
“…Is This the Handbag?”
"Where is that Baby?!"
“Where is that Baby?!”
Gwendolyn and Jack
Gwendolyn and Jack
Lady Bracknell and Gwendolyn
Lady Bracknell and Gwendolyn