Return to c. 1910 Das Schminken in Theorie und Praxis (Makeup in Theory and Practice) Berlin
Full book below in gallery format, or you can jump ahead to:
Introduction – Makeup Basics – Color Plates Pt 1 – Color Plates pt 2
My first eBay “find” in my study and acquisition of early stage makeup information was this tiny color lithographed pamphlet. I originally assigned a c. 1900 date to it because of the styles of women’s hair in it, (some looked 1890s to me while others seemed a bit 1910-ish, so having no other reference, I split the difference). It was made in Germany (the home of the best stage makeup and best lithography in the first decades of the 20th Century) for the US market, specifically for the Chicago firm of F. W. Nack (theatrical wig and makeup sellers) at a date unknown. Since I first obtained it, I have been able to learn that F.W. Nack was in business from at least 1917 until at least 1957 according to a few ads found in various newspapers and theatre publications. Several of the plates strongly resemble images in Das Schminken, (which appears to be a book from closer to 1910), especially the “Yankee Farmer” who closely resembles the “Schneider” (Tailor-Cutter) in that book, and the “Chinese” and “Hebrew” plates. I don’t know if this means this was partly the copy of the other or both were based on an unknown earlier German book. So the date is most probably later than 1900, but I have no definitive “hook” for a better date as yet. If you do, please let me know!
Pretty much all makeup books from this era until the 1950s had some pretty amazing racist/sexist content, though the gorgeous bright color lithography of this tiny booklet still is the most intense rendition of these jaw droppingly offensive styles I’ve ever found. The intensity of the colors is most probably not an exaggeration. Early electric stage light, especially arc light follow spots, really washed out faces. Note the intensity of color on the white characters as well. There is lots of rouge, blue shadows, and on older characters even yellow highlights are used. When I first got this little booklet, I tried doing the three ages of respectable white lady makeup from this book, (not the sexy “soubrette” or the man-in-drag comic “old maid”) and did this:
I come out looking angrier than they do but that has to do with my naturally “evil eyebrows”.
General Information:
Physiognomy
Physiognomy is a Psudo-science that was “studied” by 19th and Early 20th century actors and makeup artists to improve their study of faces. Unfortunately, the mid 19th & early 20th Century books on this fake “science” in these eras existed primarily to promote racist, sexist, and xenophobic views which trickled into the designs of stage makeup. Racists worldwide continue to cite this nonsense to “prove” superiority to groups and individuals they hate.
17th & 18th Century Theatrical Makeup
1820s Theatrical Makeup
1830s Theatrical Makeup
1850s Theatrical Makeup
1860s Theatrical Makeup
1870s Theatrical Makeup
1880s Theatrical Makeup
1890s Theatrical Makeup
1900s Theatrical Makeup
1910s Theatrical Makeup
1920s Theatrical Makeup
1930s Theatrical Makeup
1940s Theatrical Makeup