Tag Archives: Post Modern

The Importance of Being Earnest, 2000, UAF, Makeup Designs by Tara Maginnis

Makeup Designs made in Photoshop by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Designs made in Photoshop by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000
Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis, that deal with the awkward problem of an actor shaving his head just before playing the character who is told: "I do hope your hair curls naturally."
Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis. This deals with the awkward problem of an actor shaving his head just before playing the character who is told: “I do hope your hair curls naturally.”
Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis, that deal with the awkward problem of an actor shaving his head just before playing the character who is told: "I do hope your hair curls naturally."
Makeup Design for actor playing Algy in The Importance of Being Earnest, 2000, UAF, by Tara Maginnis. This deals with the awkward problem of an actor shaving his head just before playing the character who is told: “I do hope your hair curls naturally.”
Makeup Design for the Reverend Chasuble by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000.  The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.
Makeup Design for the Reverend Chasuble by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000. The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.
Makeup Design for the handsome young man playing Miss Prism, a plain old spinster lady, by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000.  The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.
Makeup Design for the handsome young man playing Miss Prism, a plain old spinster lady, by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000. The Director wanted the elderly lovers Miss Prism and Rev. Chasuble to be extremely plain, but in a cutely matching way, so they each have an identical gold tooth, and matching warts.
Makeup Design for Lady Bracknell by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000
"...Is This the Handbag?"
“…Is This the Handbag?”
"Where is that Baby?!"
“Where is that Baby?!”
Gwendolyn and Jack
Gwendolyn and Jack
Lady Bracknell and Gwendolyn
Lady Bracknell and Gwendolyn

The Importance of Being Artificial: Style as Substance in Oscar Wilde’s The Importance of Being Earnest, TD&T, Spring 2004, by Tara Maginnis

The Importance of Being Artificial: Style as Substance in Oscar Wilde’s The Importance of Being Earnest, Theatre Design & Technology, Spring 2004, by Tara Maginnis

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The Importance of Being Earnest, University of Alaska Fairbanks, 2000, Costume Designs by Tara Maginnis

To read in detail about the Post Modern concept for this production see “The Importance of Being Artificial”.  You can also see the makeup designs.

Costume Design for Algy in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costumes for Jack and Algy in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costumes for Jack and Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Research for Algy in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Research for Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Research for Algy in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Research for Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Cecily in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Cecily in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Research for Gwendolyn in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Research for Gwendolyn in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costumes for Cecily and Gwendolyn in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costumes for Cecily and Gwendolyn in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Gwendolyn "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Gwendolyn “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume for Gwendolyn in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume for Gwendolyn in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Algy and Jack's Hats for "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Algy and Jack’s Hats for “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Jack's Hat for his Mourning outfit in Act II of "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Jack’s Hat for his Mourning outfit in Act II of “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Concept for Jack in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Concept for Jack in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Concept for Jack in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Concept for Jack in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Jack in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Jack in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Lady Bracknell in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Lady Bracknell in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Diagram for Lady Bracknell in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Diagram for Lady Bracknell in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Lady Bracknell and Gwendolyn.  Costume Designs for "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Lady Bracknell and Gwendolyn. Costume Designs for “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Lady Bracknell and Gwendolyn. Costume Designs for "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Lady Bracknell and Gwendolyn. Costume Designs for “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Miss Prism in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Miss Prism in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

Earnest 4

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MVC-028F 

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Mvc-023f

Earnest 2

Earnest 3

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Lady Bracknell and Gwendolyn
Lady Bracknell and Gwendolyn
Gwendolyn and Jack
Gwendolyn and Jack
"Where is that Baby?!"
“Where is that Baby?!”
"...Is This the Handbag?"
“…Is This the Handbag?”
Makeup Design for Lady Bracknell by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000

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