Tag Archives: Classic Theatre

The Importance of Being Artificial: Style as Substance in Oscar Wilde’s The Importance of Being Earnest, TD&T, Spring 2004, by Tara Maginnis

The Importance of Being Artificial: Style as Substance in Oscar Wilde’s The Importance of Being Earnest, Theatre Design & Technology, Spring 2004, by Tara Maginnis  PDF of Article you can print!

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The Importance of Being Earnest, University of Alaska Fairbanks, 2000, Costume Designs by Tara Maginnis

To read in detail about the Post Modern concept for this production see  The Importance of Being Artificial: Style as Substance in Oscar Wilde’s The Importance of Being Earnest, TD&T, Spring 2004, by Tara Maginnis You can also see  The Importance of Being Earnest, 2000, UAF, Makeup Designs by Tara Maginnis

Costume Design for Algy in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costumes for Jack and Algy in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costumes for Jack and Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

 

Costume Research for Algy in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Research for Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Research for Algy in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Research for Algy in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

Costume Design for Cecily in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Cecily in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Research for Gwendolyn in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Research for Gwendolyn in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

Costumes for Cecily and Gwendolyn in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costumes for Cecily and Gwendolyn in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Gwendolyn "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Gwendolyn “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

Costume for Gwendolyn in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume for Gwendolyn in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Algy and Jack's Hats for "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Algy and Jack’s Hats for “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Jack's Hat for his Mourning outfit in Act II of "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Jack’s Hat for his Mourning outfit in Act II of “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

 Costume Concept for Jack in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis

Costume Concept for Jack in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

Costume Concept for Jack in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Concept for Jack in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Jack in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Jack in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

Costume Design for Lady Bracknell in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Lady Bracknell in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Diagram for Lady Bracknell in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Diagram for Lady Bracknell in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

Lady Bracknell and Gwendolyn.  Costume Designs for "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Lady Bracknell and Gwendolyn. Costume Designs for “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Lady Bracknell and Gwendolyn. Costume Designs for "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Lady Bracknell and Gwendolyn. Costume Designs for “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis
Costume Design for Miss Prism in "The Importance of Being Earnest", 2000, UAF, by Tara Maginnis
Costume Design for Miss Prism in “The Importance of Being Earnest”, 2000, UAF, by Tara Maginnis

Earnest 4

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 MVC-028F

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Mvc-023f

Earnest 2

Earnest 3

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Lady Bracknell and Gwendolyn
Lady Bracknell and Gwendolyn
Gwendolyn and Jack
Gwendolyn and Jack
"Where is that Baby?!"
“Where is that Baby?!”
"...Is This the Handbag?"
“…Is This the Handbag?”
Makeup Design for Lady Bracknell by Tara Maginnis for "The Importance of Being Earnest", at UAF, 2000
Makeup Design for Lady Bracknell by Tara Maginnis for “The Importance of Being Earnest”, at UAF, 2000

Your Easter egg for getting this far in my web site Free Printable Miniature Books for Doll House Use

Tartuffe, Diablo Valley College, 2012, Costume Designs by Tara Maginnis

PDF Downloadable booklet on these costumes

Giant photo archive of hundreds of pictures from Tartuffe, DVC, 2012 onstage, backstage, renderings, making costumes, bolts of fabric, the works!

And now, the Easter egg for visiting!  Here is your free printable miniature book of my costume designs for Tartuffe that you just print out on an 8.5 x 11″ paper and paste together into a 1.5″ dollhouse book.  I also have more Free Printable Miniature Books for Doll House Use.

Free Printable Miniature Books for Dollhouses #6b: Costume Designs for Tartuffe, Version 2 by Tara Maginnis

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